The cinematic translation of the wildly popular video game franchise, Borderlands, is a mixed bag. While the film undeniably captures the chaotic energy and vibrant aesthetic of the game world, it struggles to maintain narrative cohesion throughout. Borderlands explores the coming together of a group of misfits to save a missing girl who holds the key to a vault containing untold power.
Borderlands elegantly brings to life the desolate world of Pandora and splashes it with colour through costuming and set design, which translates beautifully to the big screen. Director Eli Roth, who wrote the script alongside Joe Crombie, was in a good spot to influence the arcs of each character and overarching messages in the film but failed to meet this expectation by the conclusion. Borderlands clearly excelled in its action scenes, making each move intriguing to the viewer, but when it came to curating the third act, the story did not stick the landing.
The script does a good job of introducing a whole gambit of zany characters to those new to the world of Borderlands whilst re-introducing them to fans, however completing their arcs seemed to be a more difficult feat for Roth and Crombie. Aside from the visibly CGI-heavy action—to the point where the viewer feels they are watching the game itself—the ending feels almost nonsensical. This could have worked in the story’s favour due to its wild nature but instead felt like a damp squib. Taking one step too far, it very easily loses its audience, taking viewers out of the film altogether due to its insane and unbelievable consequences. Not only this but Edgar Ramírez’s villain is out of place. He doesn’t feel well developed and his defeat is rather disappointing.
The characterisation of the heroes overall is sound, with Cate Blanchett’s Lilith emerging as the clear standout from the cast. Too cool for school, Lilith’s headstrong and no nonsense attitude make her the most memorable character, and her physicality is brilliant. Blanchett takes her dialogue and elevates it far beyond the page, and particularly shines in the slower moments. The characters of Roland and Dr. Tannis are afforded little to no character moments, meaning they carve themselves out as as half-baked despite solid performances from Kevin Hart and Jamie Lee Curtis.
Ariana Greenblatt holds everyone’s attention for every line she utters. Tiny Tina may be young but her love of explosives makes her a much more fun addition to the team. Claptrap, a staple from the games, is hit and miss. Voiced by Jack Black, the robot provides most of the comedic relief but its humour attempts to appeal to a wide range of ages, meaning it isn’t successful every time.
A raucous ride, Borderlands knows what it is, to which it can be given much credit. This sci-fi cinematic adventure is a fun time all around but ultimately lacks the depth and complexity to truly resonate. While it’s a visually stunning spectacle with standout performances, the narrative stumbles in its final act, leaving a bitter taste after a promising start.
Borderlands is out now in cinemas
