Starting off the festival with a good film really sets the tone for the rest of the time. Beginning with Brazilian film Loveling (Benzinho) about a family just living their daily lives when the eldest son is offered an opportunity to play Handball in Germany. His eminent departure, leaving his family behind to start a new life, doesn’t overshadow the film’s rather non linear structure, but serves as a turning point, especially for the mother, Irene, played to emotional beauty by Karine Teles.

Irene just wants the best for her family and has worked hard all her life. Her four sons are her pride and joy, but she also wants to do more. Graduating from high school is huge step for her, a dream come true. She supports her husband, constantly trying new businesses and even agrees to sell her beloved beach house in order for the hope of better opportunity and to finish the family’s new house.

Although the film is about family, it is also about hopes and dreams, mostly echoed by Irene and her husband, who haven’t fulfilled all their dreams yet but hope they can for their sons. Seeing their eldest Fernando excited about his new future, is both heart warming and breaking at the same time, mostly because they don’t know if he’ll come back.

With beautiful scenes by the beach, the calming sea, where mother and son sit curled up together just floating is a complete contrast to their hectic busy lives in the city. The film stays at the same tone throughout, not needing to exaggerate situations, characters or plot. It is perfectly balanced portrayal of a normal family, just living their lives.

Dir: Gustavo Pizzi

Scr: Gustavo Pizzi, Karine Teles, Otávio Müller, Adriana Esteves 

Prd: Rodrigo Letie, Fernando Epstein, Agustina Chiarino, Gustavo Pizzi

Cast: Karine Teles, Otávio Müller, Adriana Esteves, Konstantinos Sarris

DoP: Pedro Faerstein

Country: Brazil

Year: 2018

Run time: 95 minutes

By KatieHogan

Katie has been writing about film for 10 years and joined the FH team back in 2016. Having been brought up on the classics from Empire Strikes Back to Marx Brothers’ A Night at the Opera, Katie has been obsessed with film since she was young and turned to writing about film after she immersed herself in her 6,000 word essay about the Coen Brothers.